McGorlick, with noise...

Working with film sound means working directly with, well, directors and picture editors. And more than once I've wondered...how do they do it? Seems like there's a lot going on and sound is only one of the steps of the entire process. And more than once I've been asked if I was adept with Final Cut Pro to do some emergency speed audio/video-related stuff. Unfortunately, I'm not... But, I decided to cross that divide. With the help of a beat-up DV cam, an irrelevant storyboard, some friends who were willing to deal with me, and Final Cut Pro, I came up with something. Check it out. Audition

What did I learn? Filmmaking is fun. Technical difficulties isn't. Directing is pretty hard, but laughing isn't.